抗戰(zhàn)時期重慶地區(qū)版畫創(chuàng)作研究.pdf

1、A Thesis Submitted to Chongqing Normal University inPartial Fulfillment of the Requirements for the Degree ofMasterResearch on the Chongqing printmaking inthe Anti Japanese WarCandidate：zulei tangSupervisor：zuolin huang

2、ProfessorMajor：fine artsCollege：Academy of Fine ArtsChongqing Normal CollegeChongqing Normal UniversityJune，2017重慶師范大學碩士學位論文 英文摘要IIResearch on the Chongqing printmaking in the Anti JapaneseWarABSTRACTIn the early 1930s,

3、Lu Xun played the main role in the left-wing literary movement ofChinese New Culture Movement, but also shoulder the important task of promoting thenew print movement. After the outbreak of the war of resistance against

4、Japan, the newprint movement center moved from Shanghai to the west, and gradually formed the twoprint system, one is the Chongqing as the center of the rear, and the other is the Yananas the center of the border. In Jan

5、uary 3, 1942, “China woodcut research“ was born inChongqing, Chongqing to the rear woodcut movement always echoed around thecentral branch, acute hearing progress into a nationwide movement in art of greatmomentum. Durin

6、g this period, as the representative of the progressive art movement,the prosperity of the art of calligraphy, in the history of China's new print wrote abrilliant chapter.During the war of resistance against Japan,

7、the print creation in Chongqing area wasthe main line to spread the spirit of the war of resistance against Japan; the rear areacentered on Chongqing was the main stage. In sorting and refining, attacking the enemy,war p

8、ropaganda inspired people, behind the construction of four major themes, theromantic and realistic art form, with the knife as a tool to reflect the image of the war,the expression of art prints workers on life, social c

9、ognition and emotion, promotepatriotism, awaken the rise and fall of the world everyone is responsible for thecommon sense of the overall situation, against the enemy, indomitable, YuecuoyueyongKennedy wins faith, fear o

10、f violence, bloody heroism, make efforts, take charge as chiefof the national will, the maintenance of peace, evil and promote good human ideas, togive people the art spirit of printmaking.From the Chongqing area during

11、the Anti Japanese War printmaking theme, artisticexpression of the formation process of combing, to self printmaking practice, not onlyfor the understanding of the art of change from “54“ the new culture movement, but al

12、soon the service for the people, for national liberation Revolution art road, played anactive revolutionary vanguard and a new cognition has made important historicalachievement of the woodcut arKeywords: Anti Japanese W