畫意攝影在當(dāng)代的表現(xiàn)形式

1、上海工程技術(shù)大學(xué)畢業(yè)設(shè)計(jì)（論文） 畫意攝影在當(dāng)代的表現(xiàn)形式目 錄摘 要....................................................1ABSTRACT..................................................20 引言....................................................31 畫意攝影的發(fā)

2、展..........................................31. 1 畫意攝影的由來.......................................31. 2 畫意攝影的特征.......................................42 畫意攝影的主要表現(xiàn)形式..................................62. 1 仿畫攝影...............

3、..............................62.1.1 仿油畫攝影..........................................62.1.2 仿國(guó)畫攝影..........................................72. 2 創(chuàng)意攝影.............................................72. 3 沙龍攝影.................

4、............................93 畫意攝影在當(dāng)代的新變化.................................103. 1 畫意攝影與其他藝術(shù)類型的結(jié)合........................103. 2 現(xiàn)代技術(shù)對(duì)于畫意攝影的影響..........................114 參考文獻(xiàn)..............................................

5、.125 譯 文..................................................136 原文說明...............................................16上海工程技術(shù)大學(xué)畢業(yè)設(shè)計(jì)（論文） 畫意攝影在當(dāng)代的表現(xiàn)形式2Picture Photogroupht In NowdaysABSTRACTPicture photography emerged from

6、 the mid 19th century British poet photography schools “sent“, the pursuit for photography, and emphatically emotion, painting effect artistic conception and form's performance. This painting photography art pursue m

7、akes for all art photography collectively. The development of painting from the photography technology innovation and art environment, aesthetic taste, realized the changes of artisticism photography. With the developmen